H ow different are the stories we tell ourselves today? Movies are an interesting barometer of the cultural mood. In the 1970s, cinematic disaster tales routinely featured parochial horrors such as shipwrecks ( The Poseidon Adventure, 1972), burning skyscrapers ( The Towering Inferno , 1974), and man-eating sharks ( Jaws, 1975). Now, they concern the whole of humanity. What threatens us today are not localised incidents, but humans. The wasteland of Interstellar (2014) is one of resource depletion following human over-consumption; the world reduced to enslaved existence in Elysium (2013) is a result of species-bifurcation, as some humans seize the only resources left, while those left on Earth enjoy a life of indentured labour. That the world will end (soon) seems to be so much a part of the cultural imagination that we entertain ourselves by imagining how, not whether, it will play out .
"Why shouldn©t Christians snatch up these end-time books? They©re being told by prophetic writers that this is the generation that will see the rapture. Of course, previous generations of Christians were told the same thing. I predict that the prophetic scenario outlined by the authors of the books that appear on WorldNetDaily©s list will not take place as predicted. And when they don©t, memories will fade, and a new group of authors will join well-established prophecy writers and publish books that will start the cycle all over again that a Middle East Armageddon is inevitable and on the horizon." 3