This profound experience may be most purely realized in the blog-style weblog. Lacking a focus on the outside world, the blogger is compelled to share his world with whomever is reading. He may engage other bloggers in conversation about the interests they share. He may reflect on a book he is reading, or the behavior of someone on the bus. He might describe a flower that he saw growing between the cracks of a sidewalk on his way to work. Or he may simply jot notes about his life: what work is like, what he had for dinner, what he thought of a recent movie. These fragments, pieced together over months, can provide an unexpectedly intimate view of what it is to be a particular individual in a particular place at a particular time.
Writer, historian, and activist Rebecca Solnit is the author of twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including a trilogy of atlases and the books The Mother of All Questions, Hope in the Dark, Men Explain Things to Me; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award).
Romance becomes psychodrama in the elegantly crafted Rebecca, Alfred Hitchcock’s first foray into Hollywood filmmaking. A dreamlike adaptation of Daphne du Maurier’s 1938 novel, the film stars the enchanting Joan Fontaine as a young woman who believes she has found her heart’s desire when she marries the dashing aristocratic widower Maxim de Winter (played with cunning vulnerability by Laurence Olivier). But upon moving to Manderley—her groom’s baroque ancestral mansion—she soon learns that his deceased wife haunts not only the estate but the temperamental, brooding Maxim as well. The start of Hitchcock’s legendary collaboration with producer David O. Selznick, this elegiac gothic vision, captured in stunning black and white by George Barnes, took home the Academy Awards for best picture and best cinematography.