Suzan-lori parks essays on the plays

The award goes to the playwright, although production of the play is also taken into account. In the case of a musical being awarded the prize, the composer, lyricist and book writer are generally the recipients. An exception to this was the first Pulitzer ever awarded to a musical: when Of Thee I Sing won in 1932, book authors George S. Kaufman and Morrie Ryskind, as well as lyricist Ira Gershwin, were cited as the winners, while composer George Gershwin's contribution was overlooked by the committee. The reason given was that the Pulitzer Prize for Drama is a dramatic award, and not a musical one. However, by 1950 the Pulitzer committee included composer Richard Rodgers as a recipient when South Pacific won the award, in recognition of music as an integral and important part of the theatrical experience. [6]

One afternoon, Elizaveta looks out the window as she is sewing and spies a young officer standing on the corner and staring at her window. It is Hermann, who was strongly impressed by Tomsky’s story about his grandmother and wishes to learn the secret of the cards before the countess dies. He stands on the corner and dreams of ways to enter the house and confront the countess. When he notices Elizaveta Ivanovna at the window, an idea comes to him. He sends letters to her, some taken word-for-word from German novels, in which he professes his love and importunes her for a meeting. After an initial reluctance, Elizaveta Ivanovna, viewing the young officer as a potential deliverer from her dreary existence with the countess, concocts an elaborate plan to let the young officer into the house and into her room for a private meeting.

Suzan-lori parks essays on the plays

suzan-lori parks essays on the plays


suzan-lori parks essays on the playssuzan-lori parks essays on the playssuzan-lori parks essays on the playssuzan-lori parks essays on the plays